JOB: a symphonic dance reframing the exegesis: a performative exposition of JOB, an allegory of theodicy

The presentation of JOB: A Symphonic Dance is an exploration of a ‘practice-based exegesis’, where the creative work aims to elucidate and amplify the text, as opposed to conventional practice-based research where the reverse is the case. In a sense, this bi-disciplinary exegetical exploration is a return to the traditional function of the exegesis, which was to interpret and expound on religious text. However, instead of text on text, this work aims to employ the language of music and dance to amplify, embody and deepen the apprehension of scriptural allegory.
This is a project-in-progress. While the music was completed and recorded in June 2019, the dance component, which involved collaborating with a choreographer and dancers was disrupted by the pandemic. Ironically, Job’s theme of unmerited suffering is all too relevant at a time like this. The dialogue continues as we seek out viable means of collaborative engagement, as well as suitable remote platforms for the presentation this work.