Muhd Noramin, Mohd Farid (2021) We got rhythm: Pauses, missteps, detours: mis-dancing towards Tarian’s new (Ir)regular. In: Arrhythmia Performance Pedagogy and Practice, 4:40pm – 5:00pm - 4th June 2021, Online.
Full text not available from this repository.Item Type: | Conference or Workshop Item (Paper) |
---|---|
Title: | We got rhythm: Pauses, missteps, detours: mis-dancing towards Tarian’s new (Ir)regular |
Synopsis: | Percussive nuances in traditional Malay music act as identifiers that determine the exact Malay dance genre to perform. These specific rhythms are produced by playing on a Malay traditional single frame drum, the Rebana, and signals a competent dancer to know which genre to perform and the distinct movement vocabulary to employ. Hence, dancing to the beat in tarian (bergerak mengikut rentak) is a convention, a strict dependence of knowing what and when to keep pace; the role to characterise; the social context to manifest, and the decorum to observe. It must be said, however, that despite this presumed rigid modulation, there are and has always been interstices to improvise. |
Uncontrolled Keywords: | WeGotRhythmPanel6 |
Subjects: | Performing Arts |
Divisions: | Publications > Conference Paper |
Depositing User: | Ms Ashalatha Krishnan |
Date Deposited: | 18 Aug 2021 15:31 |
Last Modified: | 04 Oct 2021 02:05 |
URI: | http://drlib.lasalle.edu.sg/id/eprint/973 |
View Item |