Remediating Theatre in a Digital Proscenium

Dixon, Steve (1990) Remediating Theatre in a Digital Proscenium. Digital Creativity, 10 (3). pp. 135-142. ISSN 1744-3806

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Official URL: http://www.tandfonline.com/toc/ndcr20/10/3
Item Type: Article
Title: Remediating Theatre in a Digital Proscenium
Synopsis:

The paper examines and evaluates the transposition of live theatre performance into a digital multimedia environment utilising QuickTime (or equivalent) movie software for use on standard PCs. Writers such as Brenda Laurel have discussed the close correspondences between theatre and computers, and CD-ROM authoring software such as Director clearly adopts theatrical paradigms and terminology. The differences between attending a performance in a theatre and viewing a recording on a computer screen are outlined, and how these two experiences differ in what is expected from the audience/user. The distortions inherent in any video recording of a theatre event are explored, with particular reference to differentials in performance scale. The flickering, low-resolution picture typifying video playback on CD-ROMs is then argued to be a positive virtue in the remediation of theatrical footage, and far preferable to full-screen video recordings. A number of reasons are proposed which explore ideas around documentary realism, visual and aesthetic convention, totemic fetishisation, and Brecht's alienation theory. It is suggested that the small-window digital movie placed within the larger multimedia screen where other graphical codes and images can co-exist and interact with the video footage, creates a dual proscenium that is poetic, evocative, and inherently theatrical.

Subjects: Research
Divisions: Centre for Research in the Arts
Depositing User: Ms Ashalatha Krishnan
Date Deposited: 09 Oct 2015 06:09
Last Modified: 09 Oct 2015 06:09
URI: http://drlib.lasalle.edu.sg/id/eprint/359

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